Part Marc Chagall, part Bruno Schulz—and even a little Maira Kalman—the artist (a.k.a. Mayer Kirshenblatt, born in 1916) provides a fascinating, humorous, and poignant record of Polish village life, in the years leading up to the Second World War. There are weddings (the marriage of the tailor’s pregnant hunchback daughter) and funerals (the Christian burial of the artist’s boyhood friend). An adulterer is discovered, zealous flagellants offer their backs for caning, and a “human fly” scales a local building. Incredibly, the artist, who emigrated to Canada in 1934, didn’t start painting until the age of seventy-three, and then only at the urging of his wife and daughter. Whether Kirshenblatt’s visual account is accurate or embellished hardly matters; it’s the remarkable results that count. Through Oct. 1. (Open Saturdays through Wednesdays, 11 to 5:45, and Thursdays, 11 to 8.)
The New Yorker, June 22, 2009.
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